{"id":1175,"date":"2024-10-24T22:58:05","date_gmt":"2024-10-24T20:58:05","guid":{"rendered":"https:\/\/www.uni.lu\/c2dh-fr\/?post_type=news&p=1175"},"modified":"2024-10-25T16:50:40","modified_gmt":"2024-10-25T14:50:40","slug":"lheritage-durable-de-lexposition-family-of-man","status":"publish","type":"news","link":"https:\/\/www.uni.lu\/c2dh-fr\/news\/lheritage-durable-de-lexposition-family-of-man\/","title":{"rendered":"L’h\u00e9ritage durable de l\u2019exposition \u00ab Family of Man \u00bb"},"content":{"rendered":"\n
\n

\nR\u00e9flexions sur la photographie, la dynamique de la guerre froide et la pr\u00e9servation du patrimoine<\/h3>\n\n\n\n

\u00c0 l’occasion de la Journ\u00e9e internationale du patrimoine audiovisuel, l\u2019Universit\u00e9 annonce un projet de recherche novateur qui explorera de nouvelles facettes de l’exposition photographique embl\u00e9matique \u00ab The Family of Man \u00bb <\/a>et de son impact international pendant la guerre froide. En outre, le projet \u00e9tudiera la mani\u00e8re dont l’exposition a \u00e9t\u00e9 accueillie au Luxembourg, en r\u00e9v\u00e9lant les r\u00e9actions et les perspectives du public local. Le projet sera port\u00e9 par le Prof. Andreas Fickers du Luxembourg Centre for Contemporary and Digital History (C2<\/sup>DH), <\/a>en collaboration avec le Centre National Audiovisuel (CNA).<\/p>\n\n\n

\n \n\"The

\n Vue de la galerie du ch\u00e2teau de Clervaux \u00a9 Romain Girtgen\/ CNA, 2021 <\/p>\n <\/figure>\n\n\n

Au Luxembourg, l’exposition \u00e9voque souvent le Ch\u00e2teau de Clervaux. Un voyage dans cette ville pittoresque s’accompagne g\u00e9n\u00e9ralement d’une visite \u00e0 la c\u00e9l\u00e8bre exposition photographique d’Edward Steichen. Depuis 1994, \u00ab The Family of Man \u00bb est expos\u00e9e en permanence \u00e0 Clervaux. Mais o\u00f9 \u00e9tait-elle auparavant ?<\/p>\n\n\n\n

L’exposition a \u00e9t\u00e9 inaugur\u00e9e au Museum of Modern Art de New York en 1955, o\u00f9 Edward Steichen \u00e9tait directeur du d\u00e9partement de photographie. Par la suite, elle a \u00e9t\u00e9 g\u00e9r\u00e9e par l’Agence d’information des \u00c9tats-Unis (USIA) et a fait le tour de 37 pays avant de trouver un lieu d’accueil permanent au Luxembourg.<\/p>\n\n\n\n

\n\u00ab Family of Man \u00bb en tourn\u00e9e<\/h3>\n\n\n\n

En pleine guerre froide, l’USIA profite de l’exposition itin\u00e9rante pour pr\u00e9senter le mode de vie am\u00e9ricain \u00e0 un public international. Cependant, Steichen avait con\u00e7u l’exposition pour montrer les liens entre les humains et que l\u2019humanit\u00e9 constitue une seule et m\u00eame \u00ab Family of Man \u00bb. Cette \u00ab famille \u00bb \u00e9tait d\u00e9sormais menac\u00e9e par l’an\u00e9antissement nucl\u00e9aire, ce que soulignait la seule photographie en couleur de l’exposition originale : une explosion nucl\u00e9aire. L’\u0153uvre de Steichen a \u00e9t\u00e9 profond\u00e9ment marqu\u00e9e par son exp\u00e9rience directe en tant que photographe de guerre pendant les deux guerres mondiales, et \u00ab Family of Man \u00bb \u00e9tait un projet pacifiste du point de vue de son commissaire.<\/p>\n\n\n\n

Bien que la tourn\u00e9e mondiale de l’exposition se soit concentr\u00e9e sur l’Am\u00e9rique du Nord, l’Europe et l’Asie de l’Est (le Japon et la Cor\u00e9e du Sud), elle a d\u00e9pass\u00e9 le rideau de fer (la Pologne et URSS) et a atteint des pays du Sud (Guatemala, Chili, Afrique du Sud, \u00c9gypte, Afghanistan), dont beaucoup n’\u00e9taient devenus ind\u00e9pendants que r\u00e9cemment (Inde, Sri Lanka, Indon\u00e9sie, Philippines, Laos, Liban, Syrie). Dans le cadre de la guerre froide, les \u00c9tats-Unis et l’URSS cherchaient \u00e0 \u00e9tendre leur influence dans ces pays nouvellement ind\u00e9pendants. Il n’est donc pas surprenant que l’USIA y ait utilis\u00e9 \u00ab Family of Man \u00bb pour d\u00e9peindre les id\u00e9aux occidentaux.<\/p>\n\n\n

\n \n\"The

\n La tourn\u00e9e internationale de 1955 \u00e0 1965. Carte cr\u00e9e par le CNA. <\/p>\n <\/figure>\n\n\n

\nLa r\u00e9ception internationale<\/h3>\n\n\n\n

Une chercheuse, Emilia S\u00e1nchez Gonz\u00e1lez, se concentrera sur la tourn\u00e9e mondiale de \u00ab Family of Man \u00bb et analysera comment l’exposition a \u00e9t\u00e9 adapt\u00e9e dans les divers endroits. En plus d’\u00e9tudier de pr\u00e8s les documents d’archives (lettres, livres d’or, journaux), elle se rendra \u00e0 certaines des \u00e9tapes de la tourn\u00e9e et utilisera des approches d’histoire publique pour impliquer les publics actuels dans l’histoire de l’exposition.<\/p>\n\n\n\n

Elle organisera des \u00e9v\u00e9nements pour les communaut\u00e9s locales, durant lesquels les participants seront invit\u00e9s \u00e0 partager leurs r\u00e9flexions sur les photographies, les contextes culturels et politiques et les souvenirs transmis par les g\u00e9n\u00e9rations pr\u00e9c\u00e9dentes. Avec un peu de chance, Emilia pourra trouver des personnes qui ont des souvenirs de premi\u00e8re main. Tous les supports possibles seront ensuite num\u00e9ris\u00e9s et constitueront des archives publiques de la tourn\u00e9e mondiale de \u00ab Family of Man \u00bb.<\/p>\n\n\n

\n \n\"Emilia

\n Emilia S\u00e1nchez Gonz\u00e1lez <\/p>\n <\/figure>\n\n\n

\nL’exposition au Luxembourg<\/h3>\n\n\n\n

Le chercheur Claude Ewert s’int\u00e9ressera \u00e0 l’accueil de l’exposition au Luxembourg. En 1952, Steichen avait l\u2019intention de commencer la tourn\u00e9e mondiale au Luxembourg. Mais les autorit\u00e9s luxembourgeoises d\u00e9clarent \u00e0 Steichen que la photographie n’est pas de l’art et le Luxembourg est ray\u00e9 de la liste. Apr\u00e8s la tourn\u00e9e mondiale, l’USIA a fait don de l’exposition au Grand-Duch\u00e9, dans l’espoir qu’elle devienne une exposition permanente au ch\u00e2teau de Clervaux. Mais dans un premier temps, les 503 photographies sont rest\u00e9es dans les caves de l\u2019\u00e9tat.<\/p>\n\n\n\n

La politique culturelle luxembourgeoise subit de nombreuses transformations dans l’apr\u00e8s-guerre, de m\u00eame que sa perception de l\u2019exposition. Steichen finit par se r\u00e9concilier avec le Luxembourg. Lorsque le minist\u00e8re luxembourgeois de la culture a enfin reconnu la valeur artistique de \u00ab Family of Man \u00bb, celle-ci est devenue une exposition permanente en 1994. L’exposition a fait l’objet d’un \u00ab nation-branding \u00bb \u00e0 la lumi\u00e8re du fait que la capitale luxembourgeoise est devenue capitale europ\u00e9enne de la culture en 1995.<\/p>\n\n\n

\n \n\"Claude

\n Claude Ewert et Emilia S\u00e1nchez Gonz\u00e1lez <\/p>\n <\/figure>\n\n\n

\nM\u00e9thodes et r\u00e9sultats<\/h3>\n\n\n\n

Outre les \u00e9v\u00e9nements communautaires pour la r\u00e9ception internationale, l’aspect local de la \u00ab Family of Man \u00bb sera \u00e9valu\u00e9 par des m\u00e9thodes d’histoire orale : des personnes impliqu\u00e9es dans l\u2019exposition ou dans le secteur culturel luxembourgeois seront interrog\u00e9es sur leurs exp\u00e9riences, mais aussi sur ce que l’exposition repr\u00e9sente pour elles. Une enqu\u00eate aupr\u00e8s des visiteurs sera men\u00e9e \u00e0 Clervaux.<\/p>\n\n\n\n

Les r\u00e9sultats de ce projet de trois ans seront pr\u00e9sent\u00e9s sous la forme de publications acad\u00e9miques et d’une th\u00e8se de doctorat, mais pas seulement. Afin de contribuer \u00e0 l’objectif duC2<\/sup>DH de rendre les r\u00e9sultats de leurs recherches aussi accessibles et vari\u00e9s que possible, un roman graphique sur \u00ab Family of Man \u00bb sera publi\u00e9. En outre, un site web avec une carte interactive sera con\u00e7u, permettant \u00e0 l’utilisateur d’explorer les diff\u00e9rentes perceptions de la l\u2019exposition dans de nombreux endroits qu’elle a visit\u00e9s au cours de son tour du monde.<\/p>\n\n\n\n

Le projet est soutenu est par le Luxembourg Research Fund (FNR).<\/p>\n\n\n

<\/div>\n\n\n

\nQui sont les chercheurs ?<\/h2>\n\n\n
\n
\n \n

\n<\/h3>\n\n
\n
\n
\n \n\"Emilia <\/figure><\/div>\n\n\n\n
\n
\nEmilia S\u00e1nchez Gonz\u00e1lez<\/h5>\n\n\n\n

Doctoral researcher<\/p>\n\n

\n \n \n Learn More<\/span>\n <\/span>\n <\/use><\/svg> <\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>
\n \n

\n <\/h3>\n\n
\n
\n
\n \n\"Claude <\/figure><\/div>\n\n\n\n
\n
\nClaudeEwert<\/h5>\n\n\n\n

Postdoctoral researcher<\/p>\n\n

\n \n \n Learn More<\/span>\n <\/span>\n <\/use><\/svg> <\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>
\n \n

\n<\/h3>\n\n
\n
\n
\n \n\"\"\n <\/figure><\/div>\n\n\n\n
\n
\nAndreas Fickers<\/h5>\n\n\n\n

Director of the Luxembourg Centre for Contemporary and Digital History<\/p>\n\n

\n \n \n Learn More<\/span>\n <\/span>\n <\/use><\/svg> <\/a>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/section>\n\n\n
\n
\n \n

\nD\u00e9couvrez aussi<\/h2>\n\n
    \n
  • \n \n \n \n ‘Tracing the legacy of Edward Steichen’ research project <\/span>\n <\/use><\/svg> <\/span>\n <\/a>\n<\/li>\n\n\n\n
  • \n \n \n \n ‘The Family of Man’ video collection <\/span>\n <\/use><\/svg> <\/span>\n <\/a>\n<\/li>\n<\/ul>\n <\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"

    \u00c0 l’occasion de la Journ\u00e9e internationale du patrimoine audiovisuel, l\u2019Universit\u00e9 annonce un projet de recherche novateur qui explorera de nouvelles facettes de l’exposition photographique embl\u00e9matique \u00ab The Family of Man \u00bb <\/p>\n","protected":false},"author":57,"featured_media":1178,"template":"","format":"standard","meta":{"featured_image_focal_point":{"x":0.59,"y":0.49},"show_featured_caption":false,"ulux_newsletter_groups":"","uluxPostTitle":"","uluxPrePostTitle":"","_trash_the_other_posts":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false},"news-category":[3,6],"news-topic":[16],"organisation":[],"authorship":[57],"acf":[],"yoast_head":"\nL'h\u00e9ritage durable de l\u2019exposition \u00ab Family of Man \u00bb - 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