{"id":7115,"date":"2023-01-10T07:05:39","date_gmt":"2023-01-10T06:05:39","guid":{"rendered":"https:\/\/www.uni.lu\/c2dh-en\/articles\/escher-kaffi-taking-the-pulse-of-the-city\/"},"modified":"2025-03-26T10:08:17","modified_gmt":"2025-03-26T09:08:17","slug":"escher-kaffi-taking-the-pulse-of-the-city","status":"publish","type":"articles","link":"https:\/\/www.uni.lu\/c2dh-en\/articles\/escher-kaffi-taking-the-pulse-of-the-city\/","title":{"rendered":"Escher Kaffi: taking the pulse of the city"},"content":{"rendered":"\n<section class=\"wp-block-unilux-blocks-free-section section\"><div class=\"container xl:max-w-screen-xl\">\n<p><strong>Escher Kaffi is an experimental public history project funded by the C\u00b2DH\u2019s Thinkering Grant to study ordinary sociality in a (post)industrial city undergoing fast infrastructural, urbanistic, demographic, and cultural transformations.<\/strong><\/p>\n\n\n\n<p>Caf\u00e9s are virtually accessible whatever one\u2019s social background and personal history, but they are also intimate spaces and publics self-select based on venues\u2019 history, culture or vibes. As such, caf\u00e9s are an excellent vantage point to look out and in on urban sociality in Esch-sur-Alzette.<\/p>\n\n\n\n<p>Our working definition of \u201ccaf\u00e9\u201d is broad to include the great diversity of Esch\u2019s caf\u00e9s, both historic and recent, attracting mixed crowds or specific gender or age groups, tied or not to ethnic and linguistic demographics. The common denominator is that coffee (<em>Kaffi<\/em> in Luxembourgish) is served during the daytime. Other hot and cold beverages, alcoholic and non-alcoholic, as well as food and snacks, may be served as well. Some \u201ccaf\u00e9s\u201d in our study thus double as brasserie, bistro or bakery. This inclusivity is important because the practice of drinking coffee is deeply cultural and may therefore manifest in multiple guises and contexts.<\/p>\n\n\n\n<p>Caf\u00e9s, in industrial towns, have historically gone against the grain of productivity, the Zeitgeist of capitalist societies. They have provided a fragile refuge against, or at least an alternative to, the extractiveness of the industry. In caf\u00e9s, ordinary people can practice the \u201carts of resistance\u201d<a href=\"#footnote_ref-1-foot\" id=\"footnote_ref-1-text\" data-target=\"self\"><sup style=\"font-size:11px\">[1]<\/sup><\/a>, by unwinding their bodies, making meaningful connections, and cultivating aspirations. In Esch, workers\u2019 unions and sports associations alike have often emerged in, and organized from, caf\u00e9s. But caf\u00e9s can also be extractive and punishing in their own ways, siphoning workers\u2019 salaries, and providing a stage to jalousies occasionally leading to outbursts of violence.<\/p>\n\n\n\n<p>What can a study in caf\u00e9s tell us about the transformations, old and new, of sociality in a (post)industrial city? This study started with nostalgic narratives about a long-lost \u201cgolden age\u201d of caf\u00e9s that Escher residents date back to the industrial era. These narratives at first give the impression that caf\u00e9s are being deserted and dying out. In fact, caf\u00e9s very much remain the cornerstone of ordinary Escher sociality. But it is also true that venues, \u201cvibes\u201d, and owners have changed over time, reflecting important transformations in Esch\u2019s economy, demography and urban culture.<\/p>\n\n\n\n<p>Our project reverberates the voices of important protagonists of Esch\u2019s caf\u00e9 landscape and attempts to capture the social texture of spaces that are often deemed too banal to be research objects. This project drew from and fed into two existing projects \u2014 <a href=\"node\/3580\">HistorEsch<\/a> (Jo\u00eblla van Donkersgoed) and Dancing Esch (Laura Steil)\u2014 and proposes on the one hand to carry out a small- and human-scale historiography of caf\u00e9 sociality in Esch, and on the other, to critically reflect on the methodological paradigms of public history and sensory anthropology. It benefited from archival research, oral history collection and public history outreach on social media already carried out in the context of HistorEsch and Dancing Esch.<\/p>\n\n\n<div class=\"wp-block-unilux-blocks-spacer is-spacer-size-sm\"><\/div>\n\n\n<h3 class=\"has-text-align-left wp-block-unilux-blocks-heading\"    >\nMethodology<\/h3>\n\n\n\n<p>We started our investigation by conducting a broad survey of the caf\u00e9 landscape, marking the various characteristics and types of venues, and proceeded our research by \u201cdeep hanging out\u201d in a selection of cafes reflecting the landscape\u2019s variety. With this approach, we attempted to mirror the \u201cstructure of feeling\u201d<a href=\"#footnote_ref-2-foot\" id=\"footnote_ref-2-text\" data-target=\"self\"><sup style=\"font-size:11px\">[2]<\/sup><\/a> of caf\u00e9 sociality. Our slow-paced engagement in caf\u00e9s allowed us to \u201cfeel the vibe\u201d and built relationships with caf\u00e9 owners and patrons. We deliberately moved away from urges to be \u201cefficient\u201d and valued a type of engagement which took our time. Doing research with living human beings \u2014 and especially on the more recreational and leisurely dimensions of their lives \u2014 requires a being-in-the present that cannot easily accommodate \u201cproductivity\u201d.<\/p>\n\n\n\n<p>This methodological empathy with the research object not only led to more complex understandings of urban sociality, but also further entangled us, as researchers, into a rather intimate yet public scene in Esch. Our approach was anchored in an \u201cethics of reciprocity\u201d<a href=\"#footnote_ref-3-foot\" id=\"footnote_ref-3-text\" data-target=\"self\"><sup style=\"font-size:11px\">[3]<\/sup><\/a>, not reliant on give-and-take transactional relationships with people and businesses but, rather, on webs of social indebtedness whose limits and durations were not predefined. This meant that we did not consider our research ethics as fixed or fixable once and for all, but as having to be constantly adapted to the evolving relationships to people and places over time.<\/p>\n\n\n<div class=\"wp-block-unilux-blocks-spacer is-spacer-size-sm\"><\/div>\n\n\n<h3 class=\"has-text-align-left wp-block-unilux-blocks-heading\"    >\nOutput<\/h3>\n\n\n\n<p>At the end of the project, we will share the research results on a website developed on ArcGIS StoryMaps. This site will show excerpts of the interviews as well as present the soundscapes that we recorded at the various caf\u00e9s. The caf\u00e9 landscape will also we represented as a paper placemat, that will be distributed amongst the caf\u00e9s in the city. This placemat will display a map with all the caf\u00e9s within our survey on one side, and highlight, on the other side, several caf\u00e9s through a reimagined historical advertisement.<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p><p style=\"font-size:12px;border-top:1px solid #CCCCCC;padding-top: 8px\"><a href=\"#footnote_ref-1-text\" id=\"footnote_ref-1-foot\" data-target=\"self\"><sub style=\"bottom:1px\">1. <\/sub><\/a>James Scott, 1990, <em>Domination and the Arts of Resistance: Hidden Transcripts<\/em>, Yale University Press<\/p><\/p>\n\n\n\n<p><p style=\"font-size:12px;padding-top: 8px\"><a href=\"#footnote_ref-2-text\" id=\"footnote_ref-2-foot\" data-target=\"self\"><sub style=\"bottom:1px\">2. <\/sub><\/a>Raymond Williams, 1958, <em>Culture and Society 1780\u20131950<\/em>, Penguin<\/p><\/p>\n\n\n\n<p><p style=\"font-size:12px;padding-top: 8px\"><a href=\"#footnote_ref-3-text\" id=\"footnote_ref-3-foot\" data-target=\"self\"><sub style=\"bottom:1px\">3. <\/sub><\/a>Carolyn Ellis, 2016, \u201cTelling Secrets, Revealing Lives:&nbsp;Relational Ethics in Research with Intimate Others\u201d, <em>Qualitative Inquiry<\/em><\/p><\/p>\n\n\n\n<h4 class=\"has-text-align-left wp-block-unilux-blocks-heading\"    >\nAuthor(s)<\/h4>\n\n\n\n<ul class=\"ulux-list\">\n<li class=\"ulux-list-item\">Laura Steil<\/li>\n\n\n\n<li class=\"ulux-list-item\">Joella van Donkersgoed<\/li>\n<\/ul>\n<\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Escher Kaffi is an experimental public history project funded by the C\u00b2DH\u2019s Thinkering Grant to study ordinary sociality in a (post)industrial city undergoing fast infrastructural, urbanistic, demographic, and cultural transformations.<\/p>\n","protected":false},"author":1,"featured_media":6986,"template":"","format":"standard","meta":{"featured_image_focal_point":[],"show_featured_caption":false,"ulux_newsletter_groups":"","uluxPostTitle":"","uluxPrePostTitle":"","_trash_the_other_posts":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false},"articles-category":[],"articles-topic":[426,404,396],"organisation":[221],"authorship":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v22.3 (Yoast SEO v22.3) - 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